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Search resuls for: "Jerome Robbins"


6 mentions found


For a company to unveil a decent new ballet is a strange and marvelous occurrence. To unveil two in one season? Quality choreography that celebrates classicism, that highlights musicality — that even pushes the form into new realms — isn’t the norm. But at New York City Ballet this season, two premieres were worthy of many more viewings — and in the case of Alexei Ratmansky’s harrowing “Solitude,” set to Mahler, endless ones. Inspired by a 2022 photo of a Ukrainian father kneeling before the body of his dead son, the ballet filled the stage with bodies expressing the tangible ache of grief and love.
Persons: Alexei Ratmansky’s, , Mahler, Ratmansky, , , Tiler Peck, Francis Poulenc, Peck, Peter Martins, Jerome Robbins, George Balanchine’s, Mary Thomas MacKinnon’s Organizations: New York City Ballet, City Ballet, della Locations: New, Ukrainian, della Regina
ERRAND INTO THE MAZE: The Life and Works of Martha Graham, by Deborah Jowitt“Old age is a pain in the neck,” Martha Graham wrote in her 1991 memoir, “Blood Memory.” Death, though, has been good to her. Already in the 2020s there has been a book devoted to Graham’s Cold War activity and another (more sweeping) that a reviewer for The New York Times found fact-choked and unevenly paced. Deborah Jowitt’s “Errand Into the Maze: The Life and Works of Martha Graham” is, by contrast, a study in balance and grace. That girlish enthusiasm peeps through “Errand Into the Maze,” named for a 1947 work that premiered at the original Ziegfeld Theater. It is also Jowitt’s first book in almost 20 years, since a biography of another titan of the field, Jerome Robbins.
Persons: Martha Graham, Deborah Jowitt “, ” Martha Graham, Gordon Bunshaft, Agnes de Mille, Deborah Jowitt’s, Martha Graham ”, Jowitt, Graham’s, Louis Horst, , , Jerome Robbins, Graham, Horst, George Balanchine Organizations: New York Public Library, Performing Arts, The New York Times, The Village, Times, Cornish School Locations: Manhattan, ecstatically, Seattle
I hope it’s the beginning of an era,” says FastHorse, a member of the Sicangu Lakota Nation and a 2020 MacArthur Fellow. “The truth was most theaters had never produced a single play by a Native playwright. It may have been about some Native people, but it was not written by Native people. They would answer that they didn't know any Native playwrights or that there weren't enough Native audiences to power ticket sales. “I think one thing I’m just hoping that people take away from this play is like, ‘Wow, Native stories are really compelling.
Persons: Mary Kathryn Nagle, swindled, Nagle, “ I’m, , Larissa FastHorse, ” Nagle, Martin Scorsese’s, Ken Burns, , ” Madeline Sayet, what’s, FastHorse, Peter Pan, Jerome Robbins, Moose Charlap, Carolyn Leigh, Jule Styne, Betty Comden, Adolph Green, Lily fends, randy braves, , ” ___ Mark Kennedy Organizations: Cherokee Nation, Lakota, MacArthur, University of California, Natives, The, Arizona State University, Yale Indigenous Performing Arts Program, Civil Rights Movement, Mohegan Tribe, Public, Young, Broadway, Indians, “ redskins Locations: , New York City, “ Rutherford, Los Angeles, Oklahoma, The American Buffalo, New York, , Africa, Japan, Eastern Europe, South Dakota
She moved to Los Angeles with her parents and her sister when she was 15. She attended the University of California, Los Angeles, for a year in the early 1950s and, after acting in plays in the Los Angeles area in the early and mid-1950s, appeared in her first movie role, a small part in Cecil B. DeMille’s “The Ten Commandments” (1956). After some more screen work and roles in Off and Off Off Broadway plays, Ms. Merlin made her Broadway debut in 1961 in Jean Anouilh’s “Becket,” as Gwendolen, the mistress of Thomas Becket, one of Britain’s most powerful figures in the 12th century, who was played by Laurence Olivier. Although she lacked a strong singing voice, she was cast as Tzeitel, the oldest daughter of Tevye the milkman, the show’s principal character. The syndicated columnist Leonard Lyons wrote that when Ms. Merlin was pregnant in 1965 with her daughter Rachel, Zero Mostel, who played Tevye, told the stage manager: “Joanna’s baby just kicked.
Persons: Cecil B, , Merlin, Jean Anouilh’s “ Becket, , Thomas Becket, Laurence Olivier, Sigmund Freud’s, Henry Denker’s “, Bertolt Brecht’s, Courage, Jerome Robbins, Robbins, Leonard Lyons, Rachel, Zero Mostel, Tevye, Bette Midler, Prince Organizations: University of California, Cecil, Broadway Locations: Los Angeles
After Mr. Bernstein’s death in 1990 (Mrs. Bernstein died in 1978), the three children inherited the property. As when their parents were alive, the compound is a gathering spot for birthdays and holidays, and for fiercely contested rounds of Anagrams. Lately, it has also served as a set for the upcoming film “Maestro,” a portrait of the Bernsteins’ complicated marriage directed by and starring Bradley Cooper. “He wanted an authenticity about how he was evoking our dad and his world,” Ms. Bernstein said of Mr. Cooper. “He was very curious to come up here and visit, and that’s when he decided he wanted to come back and shoot in and around the house.
Jerome Robbins wasn’t feeling well in winter 1995. He had created “West Side Story Suite” — a condensed adaptation of his 1957 hit Broadway musical — for New York City Ballet earlier that year and started work on a new pas de deux with two principal dancers, Lourdes Lopez and Nikolaj Hübbe. Nonetheless, he continued to work with City Ballet on a new dance over the next two years. The 40-minute dance offered a bucolic idyll — a playful, youthful group, sporting with charm and what looks like spontaneity. The reviews were enthusiastic — “Choreographically, he has outdone himself here,” Anna Kisselgoff wrote in The New York Times — as were audiences.
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